I was around 16 the first time I picked up a camera. I worked with a portrait photographer in a small town in Australia before I moved to Melbourne, and then eventually Sydney where I started in fashion photography. Then, 10 years ago I moved to New York City. Shortly after that, I started shooting for Interview Magazine, and since then I've been shooting for various Vogue titles. My interest in photography is tied with fashion. I love the creative aspect, the narrative, and telling a story through a series of images. There are no rules in fashion photography, you can experiment. My inspiration comes from art, architecture and fashion. The history of fashion photography is a big influence for me, including names like Edward Weston, Helmut Newton, Irving Penn.

"I think of a Moncler jacket in a similar way, something that has a solid looking form but actually is as light as air." Two models in particular, the "Glenard" (a bulbous double - hooded white cotton jacket) and the "Halibut" (an oily black matte nylon jacket with vertical channel quilting) call to mind the envelope - pushing shapes of the show pieces but wouldn't look too out of place on www.monclerjacketssale.com your daily commute.

The Google translate produces some pretty fucking broken English, but Moncler Jacket enough to get the gist of what's happening here. Moncler - who has done work with the likes of White Mountaineering in the past and brought on Thom Browne full - time for Moncler Gamme Bleu - takes its functional winter weather clothing and melds with with some of Ami's more streamlined and simplistic looks. The result is a pretty even split.